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The Poetry of E. E. Cummings Is the of style e. e. cummings' poetry its true genius, or the very reason that the works should be called drivel? Alfred Kazin claims that the poet's design is "arrogant" and "slap stick" and that cummings is "the duality of the traditionalist and the clown"(155). Others, like Richard P. Blackmur, state his strategy is an insult to the writing profession. He states that cummings' poetry could only appeal to those with a "childish spirit"(140). It was Mark Van Doren, however, who likely said the truth about cummings. "He's a richly sensuous mind; his poetry is distinguished by fluidity and weight; he's outfitted to range lustily and long among the major passions"(140) Through illustrations of his work, "from spiralling ecstatically this," Buffalo Bill's," "next to of course god america I," and "whippoorwill this," it could be show that cummings is a willful, inventive, and exact poet who utilizes his own, unique style. Style throughout cummings work is generally hard to piece together and the works' meanings are even harder to decipher, but all of them beg the reader to think. Cummings employs an assortment of tools for his or her style. In "from spiralling ecstatically this" cummings uses imaginative new words and line breaks. Cummings creates the word "unmiracle" in line five. This word implies destruction of what has just occurred, the birth of a baby. "Perhapsless" is another new word, too of bleak connotations. Maybe is a hopeful word, meaning there is a chance, "perhapsless" suggests that failure is inevitable and that trying is futile. The line rests of this poem were supposed to emphasize the only lines of this poem. " [F]rom spiralling ecstatically this" suggests that you is going throughout life.