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The Cherry Orchard: Critical Analysis The Cherry Orchard by Anton Chekhov is all about a Russian family that is not able to prevent its beloved property from being offered in an auction because of financial issues. The play was dubbed a catastrophe by most of its latter manufacturers. However, Chekhov branded his play with a farce, or even more of a comedy. Although this drama has quite a tragic history of Russia's casualty-ridden participation in both World Wars and the Communist Revolution, these characters and their situations suggest a light-hearted tone, despite the fact that they struggle against the upcoming reduction of the orchard. Apathy and passivity shock the figures and contribute frequently to the comic aspect of things. At times, but the passivity erupts the tragic flaws of these characters as they don't conserve property. Another theme of The Cherry Orchard is that the thin line between fact and outer appearance between the characters cannot differentiate. Although indirect, this confusion provides the play yet again with humor. On the contrary, the confusion can be seen as yet another tragic flaw of the figures leading to the downfall of this property and its orchard. Another theme Chekhov portrays is the effect of alternative and free will. In some surcumstances that is the best form of tragedy, based on the result. For this, Chekhov succeeds in perplexing tragedy and comedy in his final play The Cherry Orchard. Chekhov's characters from The Cherry Orchard contribute greatly to the humor. The action takes place on a Russian mansion belonging to Mrs. Ranevsky. There is a disagreement over financing and a wealthy businessman called Lopakhin, whose dad was a serf on the property, thinks of a way to address the financial problems. The household, but seems to dismiss the issue of losing property. Here is the very first instance of humor in that the household chooses to ignore the problems as a wealthy businessman pleads together to do it. The family continues to discount the future to get the estate as personalities are developed in every one of the figures. An extremely comical personality is that the clerk Yepikhodov, also called 'Twenty-two Calamities.' ; In his entry he stumbles over a chair when babbling at anything comes to his head. Firs, a senile manservant, will be the following to add comic elements as he hobbles round the stage also.