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Eugene O'Neill's "Long Day's Journey into Night" As the fog descends around the Tyrone's summer house, another fog falls upon the household inside. This fog is that of chemical abuse, where each of the four main characters of Eugene O’Neill's play, Long Day's Journey into Night confront by the end of Act IV. Long Day's Journey into Night is a metaphoric representation of the road from normalcy to demise by showing the general ramifications of substance abuse on human psychology and family dysfunctions through the figures Mary, Jamie, Edmund and Tyrone. Mary Tyrone creates the transition definitely throughout the whole play. In Act I, her hands move restlessly, and she seems to be quite nervous. When she appears in Act II "one notices no change except that she appears to be nervous, but then one becomes conscious that her eyes are brighter and there's a peculiar detachment in her voice and manner" (O’Neill 58). These subtle indications of her relapse back to chemical dependency continue until the last scene, where she is clearly under the consequences of a compound substance. The morphine seems to make her reminiscent of the past. In Act III, she spoke about her childhood dreams of becoming a concert pianist or a nun. By Act IV, she's dragged her old wedding dress from the attic and tried to play the piano again. This presents a psychological reasoning for her relapses. She considers herself to be growing old and hideous, and frequently refers to how she had been at one time young and beautiful. "For her, the ugliness of the palms is the ugliness of what she's become over the last twenty-five decades, which is why she uses the pain of the rheumatism in them because her reason for its morphine" (Chabrowe 181). Thus, it could be correlated at one time she used the morphine to escape pain, and if she understood that it made her feel young again she became hooked. Her failure to desist is additionally connected with her interfamily relationships. When she was accused of relapsing she said, "It would serve all of you right if it was true" (O’Neill 47)! This suggests that she is seeking justification to continue her drug dependence with her family's suspicions as a motive to relapse (Bloom 163). Not only are her activities influenced by her loved ones, but they also influence the guys, namely Edmund. He is quite aware of his decreasing health, and supposes that he.