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In Samuel Beckett's play Waiting for Godot, the scene opens to show a world distinguished by bleakness. Though occasional philosophical humor enters the lifestyles of Estragon and Vladimir, it is a humorous, ironic kind of humor that appears to ditch the depressing situation where they discover themselves, along with minutes of hopefulness are overshadowed by doubt. The two merely sit and wait; they await a guy, perhaps a savior, called Godot. That they are waiting for Godot, as Vladimir says, is that the one particular thing, the only one obvious thing "within this massive confusion" (91). During the course of this drama, however, Godot never seems. It is unsure that he ever will. Actually, Vladimir and Estragon are not exactly sure who Godot is, exactly what he's like, what would happen if he came, or when he indeed actually exists, since they have not seen him but only listen that he will come. Yet they still wait, sometimes trusting, sometimes doubting, which Godot may seem, and that something, although they are unsure of exactly what it is, will occur. Godot might be viewed as an allegorical figure representing Christ, as Vladimir and Estragon are awaiting his coming similar Christians await the next coming of Jesus, and when he seems, when he looks, they think or at least expect that "[they'll] be saved," possibly in the bleakness of existence (109). As they await him, it becomes evident that their world is filled with suffering and pain, that suffering plays a much more tangible role in their own lives than Godot. They experience pain, they witness it, plus they weigh what they need to do in the midst of it all. One sort of such pain is physical and the other is an emotionally and mentally troubling type: the torture and uneasiness of uncertainty they experien...