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The Iron Hand of Dramatic Irony Sophocles' Oedipus Tyrannus is thought of by many scholars to be the most critical masterpiece of Greek drama. During Oedipus Tyrannus, Sophocles can develop and establish dramatic irony, a theatrical apparatus that lets the audience to comprehend the hidden meanings of these words and actions of their characters, although the characters themselves remain unaware. As a result, the behaviour of these characters become ironic since they are unable to grasp the fact of this fact that's being unraveled until their eyes. "Dramatic irony could be described as placing into a speaker's (character's) mouth words which involve the audience that the meaning not intended by the speaker" ("Dramatic"). Sophocles weaves this device into Oedipus Tyrannus, giving the play a distinct attribute. He devises a "incremental discovery" of this fact (Gould), yielding value for the profound way it is constructed. With the use of dramatic irony, Sophocles integrates the audience into the drama by endowing them with "the divine position of knowing the truth" (Clay 13). A highly recognized illustration of striking irony could possibly be seen in Sophocles' Oedipus Tyrannus, in which the nature of Oedipus investigates the murder of the last king of Thebes, only to learn that it's himself who is accountable for committing the offense, a truth known to this audience all together. Therefore, Sophocles' Oedipus Tyrannus has magnificent irony woven into the play from the beginning to the conclusion. The principal component of Sophoclean tragedy that's delicately worked into the drama is dramatic irony itself. Sophocles masters the technique of striking irony in Oedipus Tyrannus as he involves a second, ominous meaning for nearly every...