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The intimate prominence of male personas over their woman counterparts in the takes on creates their brilliance and control. Both playwrights recommend that a degree of personal status is acquired by sexually dominate women. The rape scene shows Stanley’s usage of power sexually through rage and strength, utilized to demonstrate his last beat of Blanche and set up himself as ‘California king’ of his place, ‘limited to showing simple desire’. ‘Since first male organ his existence provides been enjoyment with females... providing and acquiring of it... with pride’ and power. It all can be a billed power he can accomplish over ladies that they cannot over him. ‘Let’s have some rough house! [He comes towards her, overturning the desk. She meows out... he selects up her inert number bears her to the bed]’. The usage of stage directions shows Blanche’s passivity, and provides the target audience a much better understanding of how the event empowers Stanley; the enjambment also, ‘Put on’capital t you arrive towards me another I’ll-‘ or stage, intensifies Blanche’s i9000 absence of power with Stanley’s i9000 relatively. Albee displays males’s power through the capability to overwhelm likewise; George asserts ‘I’d take you by force, right here on the living room rug.’ It is normally informing that at the end of the play he will take her to bed, after eliminating her impression. Albee also uses libido as a device for fight, Martha says ‘I was necking with one of the guests’ in an attempt to antagonise her hubby; his nonchalant response undermines her goal for power, ‘... Great... Great you proceed best on’. Women show a submission to the charged power of men, even Blanche admits that maybe Stanley is what they need to ‘Mix with [their] blood’, whereas she treats Mitch with contempt, rolling her eyeballs when he can’t see and ridiculing him in.