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Kafka's The Metamorphosis In Franz Kafka's novella, The Metamorphosis, the travelling salesman Gregor Samsa wakes up one afternoon, in his family's home, to discover "himself changed in his bed into a monstrous vermin" (Kafka 3). While this instant physical change, supported by ensuing physical imagery, suggests that the "metamorphosis" introduced in the title is only physical, other interpretations are also possible. After the reader relies upon the extended and embedded metaphors existing in this text, then he or she could construe Gregor Samsa's transformation as a psychological, mental, or inner shift. It is a combo of both physical and nonphysical interpretations of Gregor Samsa's metamorphosis, but which produces a multifaceted, enriched perspective on Gregor Samsa because of character, both realistic and allegorical. When one takes antithetical interpretations of the metamorphosis in this text, one not only gains a clearer perspective of both physical and nonphysical readings, one also becomes aware of the notion of metamorphosis on each degree of the novella, by the stylistic into the thematic. Through the use of intense, insistent, detail-oriented, bodily imagery, the narrator of this text situates the characters at a very realistic, physical kingdom. Such facts as the "unpacked line of fabric samples," the "pretty gilt framework" with the magazine image, along with the "raindrops hitting against the metallic window ledge" immediately situate the altered Gregor in a world, not of ideals and lucid symbols, however of raw and imperfect physical reality (3). So, once informed of Gregor Samsa's insect-like state, the reader finds it natural to contextualize this wonderful piece of information realistically. The straightforward, phy...