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The arts, as interpretations of fact or even the development of new types, constantly inform a society's perceptions of what's real or plausible and what the experience of the person involves. This is accomplished through a collection of senses that starts with an artist's perception of reality. In literature, the author translates this perception into a text that may be as whimsical as Lewis Carroll's Alice's Adventures in Wonderland, as outwardly observant and enlightening as Fyodor Dostoevsky's Crime and Punishment, or as straightforward as Nathaniel Hawthrone's The Scarlet Letter. It's then the viewers' interpretations of a text that gives people and culture with fresh understandings of truth. It's this basis of understanding that is always added to this that reality is further described and redefined and there's a larger understanding of the human state. Because the writer--and his own experience of fact--is at the origin of the process it is necessary that his background be taken into consideration, particularly because an author's perception of truth will likely affect his portrayal of this. In relation to James Joyce's "The Dead" and Juan Rulfo's Pedro Paramo, an understanding of the culture, culture, and time period that functioned as every writer's facts allows for a deeper comprehension of each text. James Joyce is a known Irish author who is known for his short stories and books about Dublin and the Irish individuals. James Joyce was hauled and lived outside of Ireland for its latter half of his lifetime. He lived through the late 19th century and the early to mid-20th century. Literary scholar Lorraine Weir reports that Joyce opposed the Roman Catholic Church under which he was raised and whined with.