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The Cultural Part of Dracula in Bram Stoker's Dracula Essays

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The Cultural Component of Dracula in Bram Stoker's Dracula In Bram Stoker' s Dracula, vampires act as principles of mixing in many ways. Dracula comes in Transylvania, and it is a property of several men and women, and his castle is located on the edge of 3 states. Dracula himself explains the place as the "whirlpool of European races", also boasts, "in [his] veins flows the blood of many brave races" (p. 28). Dracula wishes to go to London, to the crowded streets with a variety of people. He takes blood from everybody, and provides it to other people (Mina, albeit to his own purposes). His entire body acts as a vessel of mixed blood. In his veins run blood out of ancient and modern times, from England and Transylvania. Dracula seems to act as some kind of cosmopolitan principle, mixing blood with no regard to age, place, nationalityand blood kind. Since blood is a marker of corporeal identity, unique to each person, Dracula combines identities when he mixes bloods. However, does he destroy individuality in the procedure or rekindle it, fusing elements to create a different identity completely? Blood within this text seems to be a powerful marker of individuality. Blood has been "typed" based on nationality or race, sex, age etc.. Thus Lucy gets the blood of "four strong men" (151) placed into her, and "a brave man's blood is the best thing on this earth when a woman is in trouble" (p 149). Van Helsing's blood is not quite as good as Seward's, because he's older. Arthur's blood is much far better compared to Seward's or Van Helsing's because their nerves are "not too composed, and [their] blood not so bright", because they "toil much in the world of thought" (p 121). Although Van Helsing might have said that merely to show concern for Arthur, since he allowed Arthur to be the person to kill Lucy,.

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