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Yeats’ Leda and the Swan and Vehicle Duyn's Leda In Ancient greek mythology, Leda, a Spartan princess or queen, was therefore gorgeous that Zeus, leader of the gods, made the decision he must have got her. Since immortals did not present themselves to humankind in their divine forms usually, Zeus changed himself into a great swan and in that form ravished the helpless girl (Carey 58-59). Both William Butler Yeats and Mona Truck Duyn foundation their poetry "Leda and the Swan" and "Leda," respectively, on this entire tale of a "mystic relationship." Yeats' concentrate on the sexual act itself, along with his allusions to Leda's progeny, express a frightening and serious firmness. While he raises Leda to a status similar to that of Mary, mother of Jesus, Van Duyn portrays Leda as a universal mother. By producing both numbers, Zeus and leda, regular, she provides a "surprising perspective" (Greiner 337) to the primary misconception, stressed by her amusing firmness. In addition, whereas Yeats suggests that Leda offers obtained something from her encounter with Zeus, Vehicle Duyn claims that she provides obtained nothing at all, portraying ladies generally as mainly items of gents fulfillment. Yeats starts his composition by focusing on the simple interpretation of the rape picture. Phrases such as "conquering, dark, weak," and "terrified" offer this chaotic action of invasion with unfavorable associations. The sufferer, Leda, is definitely weak against the power of the aggressor, Zeus, and scared by his activities. Remembering the first Ancient greek misconception, Yeats obviously displays Leda's level of resistance at every stage ("shocking female," "reliant breasts," "scared hazy fingertips force"). Zeus' romantic relationship with Leda parallels individual conversation generally with either Satan or God. In Christianity, the existing religious beliefs of Yeats' period, pious guys attempt to drive aside.