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Sensuality, Libido, and Male fertility in “Kubla Khan” In “Kubla Khan,” Coleridge imagines a property where sensuality, libido, and male fertility abound and reveal inextricable links. Any threats to the fecundity of the land exist outside of its magnificent walls. Coleridge uses this picture of an impenetrable fortress of intimate creativeness in taking into consideration his personal brain, wanting the same efficiency in his poetic creativity. By creating this connection, Coleridge discovers both a supply of motivation and blurs the comparative lines between the poet and the composition. Coleridge describes Xanadu as a land where pleasure is a virtue, by both direct statement and appealing to the senses. The most immediate understanding into the extravagance of Xanadu is usually provided in Coleridge’s explanation of the property as a “pleasure dome” (2, 36). Besides proclaiming it downright, Coleridge stresses the hedonistic character of the property by interesting to the feels. A explanation of the hillsides brings up their “enfolding sun-drenched areas of greenery” (11). These sunlit bits both light up the eyesight of prospering plants, while providing a real heat in the same breath. Close by, a backyard can be filled up with “many an incense-bearing tree” (9), perfuming the clean air flow of the dome. In his consideration of the Abyssinian maid, Coleridge continues his representation of sensual pleasure. Although incapable to keep in mind “her symphony and song” (43), Coleridge understands that any memory space “to such a deep joy ‘twould earn me” (44). This memory space demonstrates that Coleridge’t eyesight contains the enjoyment of audio afterwards, as well as the existence of sounds and sights. Coleridge continues to emphasize the hedonism of this vision, as he equips the musical technology house maid with a dulcimer actively. The Oxford...