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F. Scott Fitzgerald once said, "The reason one writes isn't that he wants to say anything. He writes because he's got something to say." This quotation applies straight to Ngugi Wa Thiong's book A Grain of Wheat. An individual could infer from the quotation that some authors write not just for the pleasure derived from it, but rather out of a sense of duty to let readers hear what they might need to say. Ngugi's message that he feels obligated to communicate is delivered, however, he uses a very unusual composing technique to get there there. He wants the viewers to understand the pain, suffering, and confusion which happened through the Emergency. Through jumbled chronological arrangement, numerous personality and perspective varies, along with a potent decision, Ngugi dominates his message using immense ability. The writing style Ngugi uses in this novel is quite impressive. The clearest difference in this composing opposed to another two stories we've read is that without keeping chronological arrangement, he travels from the beginning of the Emergency in Kenya to the end of the Emergency. One can comprehend the intricacy of this time shifting by analyzing the initial four chapters. Ngugi starts the book with Mugo undergoing a nightmare six months before Uhuru. Immediately the readers start questioning exactly what is occurring. Subsequently, Mugo is awake and starts walking through the town. The entire first chapter is following Mugo throughout his afternoon. Ngugi gives the readers the names of people that are still not significant to the narrative. At the start of the second chapter, Ngugi proceeds to direct the readers to an history lesson at the beginning of the Emergency. He starts by examining the very first leaders of this movement and describes...