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INTRODUCTION The Tempest is normally it is a romance and frequently interpreted as Shakespeare magnificent art. It counted one of Shakespeare's most first plays. Critical debate on 'The Tempest' has focused for centuries. It is he who embodies the debate over colonialism, over the conflict of civilizations, and above the humanity of the play's heroes: Prospero, Miranda, Ferdinand and others. No origin for the fundamental plot has been definitively identified. The Tempest is set in an anonymous age on an unnamed island, which many critics have indicated evokes themes of European colonialism in the New World. The storyline centers around the magician Prospero, exiled Duke of Milan, who has been unfairly deposed and put adrift in the ocean with his daughter Miranda. After arriving on the island he uses magic to free the fairy-like Ariel and enslave. Prospero then penalizes his usurpers, his brother Antonio and King Alonso of Naples, by luring them into the island and destroying their boat in a magical storm. After exacting his vengeance, Prospero closes the play with a gesture of reconciliation by announcing the union of his daughter along with Alonso's son, prince Ferdinand. In the last scene, Prospero confronts his brother, who also rules in his place, and demands his own dukedom back. He renders the island under the control of Caliban, forsakes his magic powers, and returns triumphant to Milan. The character of Prospero, who some critics believe reflects Shakespeare himself. Analyses of the main characters of The Tempest have regularly sought to understand the social dynamics of the connections among Prospero, his servants, and his daughter. Sharon Hamilton focuses on the relationship between Prospero and Miranda, and views that the play, in big pa...