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Tom Stoppard parallels the Second Law of Thermodynamics using all the individual encounter in his play Arcadia. The parallelism indicates truths about the evolution of science and human society, love and sexual relationships, along with the real world. The Second Law drives the formation of more complex molecular structures within our universe, the diffusion of energy, including heating, and is disrupted by the first energy required to unlock potential energies of chemicals. Stoppard takes these concepts and explores human genius and also the sexual interactions of individuals, with a eye towards universal human truth. Stoppard illustrates the diffusion of electricity compared to human relationships by incorporating the theme of loss heavily from the play. There's loss of life, reduction of knowledge and loss of love, or sexual energy, in Arcadia, as well as the scattering of personalities that occurs in the first time period. It could be claimed that Stoppard did not mean to suggest thermodynamics with each one of these elements of loss. On the other hand, the depth of the theme, its own excellent correlation with thermodynamics, and also the way in which it frequently appears adjacent to lead thermo-dynamical references, make a powerful case for the parallel. Life is not endless in Arcadia, since the author shows us reduction through varied references to departure. Among the many widespread references to death is the theme of hunting in the drama. Thomasina notes, ? I've grown up at the noise of firearms like a kid of a siege. ? (Stoppard 13). The sport hunting, all of those tiny creatures dying as consequence, has been a lasting part of their Croom household. When the living energies of the grouse and the rabbits have been lost, they can never be recovered in the exact forms. In a later scene Septimus attracts a r.. .