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Topic of Social Hierarchy in William Shakespeare's Henry V, Twelfth Night and Macbeth Henry V, Twelfth Night, and Macbeth pay the entire field of Shakespearean genres, but it is wonderful how Shakespeare displays a theme and communicates it through in any kind of play he wishes to. Historical, comic, and tragic plays are about as different as you can get, yet when we have a closer look we find many similarities among them, especially in the region of social hierarchy. In all three of these plays, Shakespeare uses a similar motif, which he conveys and proves through his personalities. Twelfth Night's Malvolio, and Macbeth's Macbeth, Henry V's Henry all hold social status, and they spread the social scale, one a servant, one a nobleman, and one a king. In the play we see their needs to better their social standing and climb the social hierarchy which puts them all on similar ground, earth which in some cases is somewhat dangerous, breaking social laws. At Twelfth Night, Malvolio is a slave. Granted, he's a higher-level slave; he's accountable for Olivia's finances. As soon as we begin the play, it seems, through Malvolio's depression personality, he is content with his social status. He loves the modest social power he owns but is not seeking a higher social status. But after he finds the letter, he "becomes" a new person. His cross-gartering himself with yellow stockings, his incessant grinning, and his eager compliance with the anonymous show us the crosses Malvolio is willing to go to now to maximize his social standing. His quickness to direct the letter to himself also shows us that the attitude he seemed to show at the beginning, his melancholy pride with his social standing, could have been...