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Blake's The Relationship of Bliss and Hell "The Character of my Function is normally Experienced or Imaginative; it is certainly an Effort to Bring back what the Ancients calld the Golden Age group." -William Blake (Johnson/Offer,xxiv). William Blake finished the manuscript of The Relationship of Hell and Bliss, simply because well as the twenty-five associated etched china, in 1792. In the feeling that the The Relationship of Bliss and Hell can be a eyesight of a particular edition of fact, it subscribes to one description of the mythological, but also satisfies another as Birenbaum is currently writing in Disaster and Innocence: "...on a even more specific level..."true myth"...suggests a penentration to the important character of individual knowledge, produced by conspicuously violating features of visible fact" (112-3), [and] "...its truth is certainly not really informed, it is normally uncovered, it occurs to one" (136). In the initial fifty percent of the over declaration, Blake appreciates his function as mythmaker, and after that pertains his purpose. Joseph Campbell echoes Blake when he explains, "What the myths are for is to bring us into a level of consciousness that is spiritual," (14). And how is definitely awareness changed? "Either by tests...or by lighting revelations" Campbell answers (126), because the eyesight changes the mythmaker who after that uses the misconception to provide thoughts to others. Yet Blake's goal is not simply philosophical but also aesthetic, for "...to observe through the pieces of period to the complete power of first getting is definitely a function of artwork" (Campbell, 228). Though the The Relationship of Bliss and Hell offers components of satire in its "parodies of the Scriptures and of the spiritual theories of Emanual Swedenborg...simply because well as approaches on well-known pictures of paradise and hell" (Johnson/Give, 81), it...