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There is definitely, of training course, no such issue as an ideal family, although some families try to present an ideal family image. If we'd insights into the households who claim to become perfect or types who claim "satisfaction," definitely we'd start to start to see the fissures and "tokens of instability" within their foundations (Poe 720). Three tales from the last fifty percent of the nineteenth century and early twentieth century - Poe's "Nov the home of Usher," Gilman's "The Yellowish Wallpaper," and Joyce's "The Lifeless" - offer us with three types of troubled households, all three of whom appeared to provide "satisfaction," yet that have instabilities and fissures. Roderick Usher's ancient mansion in Edgar Allen Poe's famous story, seen from a distance, appears to have a structurally sound foundation, but it will not. "While I gazed, this fissure quickly widened - there emerged a fierce breath of the whirlwind - the whole orb of the satellite television burst simultaneously upon my view - my human brain reeled as I noticed the mighty wall space rushing asunder - there is an extended tumultuous shouting appear to be the voice of one thousand waters - and the deep and dark tarn within my feet shut sullenly and silently over the fragments of the 'House of Usher' (Poe 732). Typically, the common American family undergoes financial difficulties, marital complications, or long-term illnesses - all disturbances in the grouped family. In some cases, these crises can destroy the grouped family. Usually, however, a family group won't apart fall. When families are confronted with a continuing cycle of crises that are kept hidden, then, due to the accumulation of problems, eventually, we see "the mighty walls rushing asunder (Poe 732). In "Nov the home of Usher," Roderick Usher's house can be an emblem.