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In the novel Howards End by E.M. Forster, the notion of link is one that's evident throughout the publication. Forster catches this idea through the contrast of the Schlegels and the Wilcoxes who represent very different approaches in their life. The Schlegel family represent the liberal intelligentsia and social attitudes of a rapidly expanding and changing London in the age in which this novel has been first written. With German ancestry their apocalyptic manners, philosophy and culture communicate a cosmopolitanism that uncovers nourishment and understanding in their social circle. On the other hand, the Wilcoxes encompass a more traditional British outlook in life and exceptionally morality, and unlike the Schlegels, they're depicted as moralistic, chauvinistic and pragmatic. This article may therefore simplify Howards End so as to illustrate the gaps between the Schlegels and Wilcoxes, more specifically Margaret and Henry, and the way their opposing perspectives of вЂњonly connectвЂќ and concentrateвЂќ, both the вЂњseenвЂќ and вЂњunseenвЂќ and also their вЂњinnerвЂќ verses вЂњouterвЂќ resides, battle but be able to incorporate to find a common ground. From the start of the novel there are numerous efforts to unite the Schlegel along with the Wilcox family, even though their different sets of values have a tendency to clash and frequently force social discussions, ethical compromise, and psychological turmoil. The pressure between the two households is evident from the onset through HelenвЂ™s momentary and striking affair with Paul Wilcox. Following HelenвЂ™s telegram вЂњAll over. Wish that I had never written. Inform no oneвЂќ (9), along with her return to Wickham Place, the Schlegels announce that they will have nothing more to do with all the Wilcoxes. This experience illustrates how distinct the two familyвЂ™s strategies to life are, and also how di...