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Even Cowgirls Obtain the Blues - Within the rules of Feminist Discourse Amazingly, in spite of being truly a male from the 1970s, Tom Robbins has created a novel, Cowgirls Get the Blues even, supporting feminism. That is a term that the majority of us are aware of; yet, what's feminism? The Routledge Critical Dictionary of Feminism and Postfeminism defines "feminist purpose" for all of us as "a dynamic desire to improve women's position in culture" (Dark brown, Meginis, and Bardari, 231). To be able to discuss feminism with regards to Robbin's novel, we have to know very well what feminist theory means when put on literature. Relating to Jonathon Culler, a professor of English and comparative literature at Cornell University and writer of Literary Theory: AN EXTREMELY Short Intro, feminist theory is founded on "women authors and the representation of women's experience" (124). Normally, Robbins will not fit the first group of being truly a woman author since he's male. Even so, his novel Also Cowgirls Obtain the Blues suits within Culler's explanation of feminist novels that "champion the identification of ladies [and] demand privileges for women" (123-124). Robbins will this through the advancement of his female heroes and the plot. Robbins generates a strong female personality called Sissy Hankshaw whose beauty is usually marred by enormous, useless thumbs somewhat. To be remembered as independent, Sissy leaves the repressive atmosphere in her southern home by taking part in the male-dominated phenomenon of hitchhiking as embodied by Jack Kerouac in On the highway. Sissy herself says in mention of her hitchhiking, "I'm the very best there is definitely, ever was or ever will end up being" (53) and evolves a national popularity as a hitchhiker. She actually competes with and befriends the...