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Bram Stoker's Dracula as a Romantic Fantasy Essay

Project id 1000887
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Document type Essay
Words 2331
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Bram Stoker's Dracula as a motivational Myth In this paper, I'll show my thoughts and ideas on the dream of Dracula particularly, and the vampyre generally, as a love story and reveal that the deeply rooted links between the 2 truths along with Christianity, as refracted through the prism of both Francis Ford Coppola's film Bram Stoker's Dracula (1992). Among the most well known aspects of a vampyre is the fact that it has to feed upon the blood of the dwelling; Dracula should drink to endure, (comparable to people drinking the blood of Christ - that the blood of heavenly life). But, I do not feel that this action of survival should be the basis where the dream of Dracula is labeled as horrific and bad. From a mythical perspective, Dracula was only, to borrow the life sentiment of Joseph Campbell (1964), "after his bliss". The story is really a romance, a romantic myth that has deep relations to Christianity. Coppola presents it precisely this manner. Listed below are a number of examples demonstrating the contrasts between the Dracula myth and Christianity. Christ dies for the sins of humankind and rises out of his own death so that humankind may attain life following death. Dracula dies for the sin of the bride (Elisabeta's) departure and rises out of his own death in order that their spirits might again be linked in soul-love a single day. From the Catholic mass, worshippers always feast upon the body and blood of Christ so as to maintain their mortal link using the immortal life of their divine. Dracula feasts on the body and blood of mortal life and incarnates immortality within himself; he becomes his own god. The ceaseless love relationship between Dracula and Elisabeta is your archetypal sacred union - a bond that cannot be cultivated by death or period - just like.

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