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Both Sonnet 43 by Elizabeth Barret Browning and Sonnet 116 by William Shakespeare delve in the fire of fervent love. In many ways these two sonnets can be contrasted and compared based upon poetic devices such as word choice, figurative language, and vision. The word option in Sonnet 43 and Sonnet 116 can be compared too as contrasted, based on how the words are used, and also the types of words that the writers both Browning, as well as Shakespeare have chosen. In Sonnet 43, Browning utilizes words like the words Shakespeare selected. For example based on two "I love Thee into the depth and width and height" the phrases "Thee" and "breadth" aren't common words used in everyday English. "Thee" used here appears to mean 'you', and "breadth" to mean 'width'. This would produce the line translate to "I love you into the thickness and height and width" The words Browning chooses to use help express exactly how long and deep the love is. In sonnet 116 by William Shakespeare the word choice, as in Browning's Sonnet 43, additionally uses words that are not common to casual conversations in the English language. For instance Shakespeare utilizes "impediments" and "tempests" set up of the common words "obstructions" and "disturbances" or "flaws" his choice or phrases for his sonnet help to show the significant tone, and show his lesson love is critical. The figurative language in both sonnet 43 by Elizabeth Barret Browning and Sonnet 116 by William Shakespeare, could be compared and contrasted based on what different kinds of figurative language is used in both sexes. In Shakespeare's sonnet 116 the very first symptom of figurative language is introduced lines five through eight, "O no! It's an ever-fixed mark that looks on.