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Appearance vs. Reality in Peter Shaffer's Amadeus In the world of the 18th century, appearance was all about; and appearance frequently conflicted with truth. This is the case in Peter Shaffer's, Amadeus, that follows Wolfgang Amadeus Mozart's musical profession. Mozart's career was enveloped in deceit and falsity, appearing to be caused by poor choices he left, when all along he was being jeopardized by Salieri. When Mozart arrives in Vienna, Antonio Salieri pretends to welcome him. He even writes a welcome March to get Mozart, to be performed as the young, rebellious musician enters the court. But, Salieri hates Mozart from the Start. Salieri is nice to Mozart's face, and pretends to encourage his career to all other parties involved. Salieri isalso, in actuality, nice to everybody's face. As many officials are speaking, Salieri comments into the audience on their own personality. "Johann von Strack. Royal Chamberlain. A court officer into his collar bone," "Baron van Swieten. Prefect of the Imperial Library. Ardent Freemason. Yet to find something humorous..." (Amadeus, 11) Salieri proceeds to interject throughout the mens' dialog until he's included. Salieri is envious of Mozart's musical skill. While it appears to everybody the Salieri is the most gifted musician in Vienna, he, himself, understands that Mozart's music is significantly deeper than his own. Salieri vents his jealousy when he states, "We were equally ordinary men, he and I. Nevertheless he from the ordinary created legends-and that I from legends greeted just the ordinary" (Amadeus, 63). Mozart and his wife, Constanza, are hungry. They live in extreme poverty. All of this is due to Antonio Salieri. Whose strategy is shown to the crowd in his conversation with Emperor Joseph. He says, "Then grant him Gluck's article, Majesty, but not his wages. That might be incorrect" (Amadeus, 64). He then turns out to Mozart who is mad about the payment he's getting and says, "I'm sorry it's made you angry. I'd never have proposed it if I'd known you would be distressed...I regret I wasn't able to perform much more" (Amadeus, 65). Salieri pretends that he obtained Mozart as much cash as he can, when in fact, he kept him out of a fantastic deal longer. The true revealing of Salieri's accurate colours comes out in the past few scenes of the play. After the death of Mozart's daddy...