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In this article, “A Mock-Biblical Controversy: Sir Richard Blackmore in the Dunciad,” Thomas Jemielity phone calls Blackmore “the Everlasting Blackmore” for just two factors: one, because Blackmore’s preferred type was the epic (he wrote at least four epics between 1695 and 1723), and two, because Alexander Pope’s ridicule of Blackmore in Peri Bathous immortalizes him as a prominent body in Eighteenth-century poetry (265). Unlike many poets who perfected the lyric and pastoral initial, Blackmore ambitiously started his poetic career with an epic called, Prince Arthur: An Heroick Poem in Ten Books (1695), which decision, as Samuel Johnson signifies, left him “that a lot more available to criticism” (Solomon 43). Johnson’s prediction was unequivocally accurate, and nobody criticized Blackmore a lot more than Pope, who included Blackmore’s poetry in Peri Bathous, Or the Artwork of Sinking in Poetry (1727), a “how-to” manual on writing poor poetry. This essay shall start with a discussion of the possible causes behind the Blackmore-Pope, followed by an evaluation of Peri Bathous, a assessment between Prince Arthur, and Creation, and lastly a brief appearance at Pope’s Essay on Guy (1734) and Blackmore’s Creation. Eventually, this essay will display how Pope’s ridicule of Blackmore in Peri Bathous had not been completely justified as Pope initiated their feud, unfairly chose Blackmore’s work rather than his best work to criticize first, and didn't acknowledge Blackmore for his contributions to An Essay on Guy, Pope’s greatest work. The reason for the Pope-Blackmore feud is usually by no means simple to explain, especially with therefore many speculations as to the reasons their antagonism were only available in the first place. One possible explanation originates from Abigail Williams who promises that Blackmore’s and Pope c...