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Back in 1848, Karl Marx became famous for his work, The Communist Party, which had been regarded as among "of the very eloquent and undoubtedly the most influential political pamphlet ever published" (Waugh 140). Marxism, as it later became called, explored "the intellectual motive of the numerous literary and Socialist parties" (Waugh 140). The basis of Marxist views depended upon that of class struggle: "Marxist criticism must always insist upon the dilemma of class relations, and class struggle, in unlikely contexts not as likely kinds" (Waugh 143). Works working with Marxism should, then, reveal the difference in courses, along with the struggle and plight that the lower course faces in front of the top class. It was also the Marxist belief that as a way to exact societal change, the masses would need to develop and create a societal upheaval. Although written before what became know as Marxism, William Blake's poem London exhibits a number of the qualities favored by Marxism. The poem, in its sixteen lines, facilities around both the political history and also the social backdrop of London. Keeping with Marxist beliefs, it exemplifies the gaps between the upper class citizens along with the poverty stricken lower class. In addition, he strikes the Church and the Palace for contributing into the plights of those on the lowest spectrum of society. Blake begins his poem with I wander thro' each charter would street, Near where the charter'd Thames does flow, And mark in every face I meet Marks of weakness, marks of woe. Immediately, Blake has us drifting through the charter'd street, drifting through the charter had Thames. Here, "charter would" may mean "based, privileged, shielded with charter" (Oxford English Dictionary). With the us...