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Over the past 50 years, numerous dancehall events have emerged at Kingston, Jamaica and consequently have become more omnipresent. Uptown Mondays, among the more recent ones, is regarded as a "sound system dancing (Stolzoff 2000), and is held every Monday night in Savanna Plaza, Constant Spring Road, Kingston 10. Stanley-Niaah (2004) posits that this sort of venue signifies a "cultural approach where the holy and the secular, politics and economics, unite in celebration." This paper seeks to relay observations mentioned on a trip to the popular dancehall event, Uptown Mondays, and to validate these observations from a backdrop of earlier studies done by notable dancehall scholars. Stanley Niaah (2004, p. 110) explains that dancehall events' appeal and consequent power earners around their titles, which take the form of the latest dancehall and/or inner-city lingua. The title Uptown Mondays seems a little controversial -- controversial in the sense that although patronage extends into other classes, "dancehall remains an inner-city phenomenon caused by the place of key actors, spaces of operation, and creation." (Stanley-Niaah 2004, p. 107). Assessing the title deeper reveals that it might just be a mere charm strategy, hinging on the idea of how Stewart's (2002) pre-eminence of their external, in the meaning that the title will draw in core-participants who want to detach themselves from the tag of being ghetto/downtown and that (whoseek to) identify using an uptown lifestyle regardless of realities they need to face. By way of characterizing Uptown Mondays, Stolzoff's (2000, pp. 194-195). "juggling" dancing is applied, where songs are played in a non-competitive fashion, rather than a "sound system battle". This type of characterization is.