Get help with any kind of assignment - from a high school essay to a PhD dissertation
Thomas Hardy's The Mayor of Casterbridge and Frank Norris' McTeague Thomas Hardy and Frank Norris are musicians, painting portraits of men filled with personality, which is distraught with regression. The Mayor of Casterbridge, by Thomas Hardy is a strong and searching fable. Frank Norris' McTeague is a documentation of this animalistic pursuit of empty dreams. Both writers withhold the protagonists of the dreams, in a grisly world, which offers no indication of escape. Each emphasizes topics of urgency and devolution, while carefully detailing personality portraits. Both Hardy and Norris broadcast a network of symbolism to enhance the significance of the functions. Hardy and Norris' use of complicated personality portraits, simplistic preferences and love subplots employ correlating topics of corrosion and provide similar and contrasting insights in their books. The settings of both novels are located in little simple ordered cities. Each take place throughout the post-Victorian era. Both writers base their novels within these small towns and avoid the introduction of a new atmosphere. The development of one setting narrative allows for both Hardy and Norris to demonstrate a much greater complexity in the protagonist's plight. In McTeague, "All the needed data are given at the beginning, along with the main action-except the ending-glows out of the information; no face is withheld to allow the story to take a sudden spin, and the facts are granted mean what they purport to mean" (Frohock 10). The Mayor of Casterbridge also follows the placing arrangement of a small town full of all the vital components for Henchard's undulating character development. It's unique that both writers focus solely upon a single small town, both only escaping its confides once, either at the very beginning or at the end. Both Hardy and Norris spin a intricate net of symbols, characters and enjoy subplots in their settings. The Mayor of Casterbridge opens with a drunken Michael Henchard selling his wife and child to a sailor. The next day he climbs feeling guilt for his activities, he seeks them , yet they are gone. Henchard eventually winds up in the easy town of Casterbridge. He seeks to create a sense of justice for the "tragic error which is the result of [his] moral weakness" (Gibson 97). Eighteen years pass and Henchard has cycled towards the top of his wheel of fortune, his is a prosperous businessm...