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Man's Struggles of Fate from the Curse of Birth in Eugene O'Neill's A Long Day's Journey into Night Eugene O’Neill's A Long Day's Journey into Night deals with catastrophe and its attendant focus on character rather than plot. Another emphasis on the drama is on the past that stops to infect his personalities. O’Neill's characters of A Long Day's Journey into Night struggle with the past. These characters seem to agree with Mary Tyrone who claims that a man "can't help being what the past made him" (Baym 1313). The simple fact that a character can battle with his or her past suggests that the past is something available to question, changeable, and possibly even unknowable. Patricia Schroeder says "The past as it invades the gift or as human characters interpret it had little currency on the formally realistic stage" (Schroeder 30). O’Neill's personalities of A Long Day's Journey into Night show the ongoing past slowly and continuously through the drama. As one reads the drama, he or she is able to see O’Neill cope with his own past using these characters. For Eugene O’Neill, there's just one real subject for drama: The topic here is the identical ancient one that always and are the 1 topic for drama, and that's man's battle with his own destiny. The battle was with all the gods, but it is currently with himself, his own past. Implicit within this statement are a number of O’Neill's fundamental principles in this drama as well as his own life. O’Neill embeds fundamentals of Greek tragedy in a drama and so fully realizes his lifelong objective of dramatizing "guy and this struggle with himself, his own past" (Schroeder 30). In this drama it's, really, the "battle" to understand that the formative past that s.. .