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Destructive Power Relationships in Antony and Cleopatra Antony and Cleopatra's "enjoy" is not really about love Whatsoever. Their interaction could only be considered a type of immature lust-power relationship. Their relationship is both shallow, egocentric, reckless and damaging. Their fascination with each other centers round infatuation and a kind of egoistic rush that they are more significant than the world. Just as a man or woman of today may try to control the needs of their planned, Cleopatra wants to manipulate Antony into needing her: Cleopatra. See where he is, who's with him, what he does: I didn't send you: if you find him sad, Say I am dancing; if in mirth, report That I am sudden sick. Fast, and return. Romeo and Juliet's relationship was candy and past life. Cleopatra and Antony's relationship is a very worldly one (we do not even know if Cleopatra "implemented the asp" since she wanted to be with Antony in departure or if she just couldn't stand being left with Caesar in life). G.W. Knight of the Cosmetic school of critics claims of Cleopatra that she's "a metaphysical, not ethical, good - a good of totality. She is good in the identical big way one may say life is great, or the universe is good, not as it comprises no distress or poor times, but since of restropect even these experiences are not worth having. Her perfection flowers from totality, not exclusion." You wind up enjoying Cleopatra in this play because she's so robust and sensual and unpredicable and capable of numerous powerful feelings. Here she drops out at the messager following he reported that Antony had wed: Cleopatra. What say you? Therefore, poor villain! Or I'll spurn thine eyes Like balls before me; I will.