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The term 'beauty' may have very comparative significance. Something can be beautiful for us, however, ugly for other people. The outside beauty of a man or woman is often the first thing people pay attention to. This is the result of the association of beauty with good and ugliness with evil. Throughout the outer look we create a general opinion about a given person. Such a way of thinking may be very misleading. In order to get to know the person we need to look to the interior -- to the soul. This is the place where the actual beauty and ugliness are hidden. The idea of outer and inner beauty is perfectly presented in the novel 'The Picture of Dorian Gray' by Oscar Wilde. The story described in this book shows how the outside attractiveness influences people's behaviour and corrupts the internal beauty. The plot situated in the XIX England perfectly explains the greater class of the period. Shallow and two-faced society is focused just on the esthetical values of the surrounding. Youth and beauty are the most valuable and things that are cultivated. Even the worst deeds are abandoned if your beauty is extraordinary. The main character, Dorian Gray is a good instance of somebody from a higher course. This twenty-year old and extremely handsome young man is regarded among society as an ideal of beauty. His Physical attractiveness draws the attention of a very gifted painter Basil Hallward. He makes the decision to immortalize Dorian's beauty and paints his portrait. In the meantime Dorian meets cynical nobleman, Lord Henry Wotton. Just like everyone else, Lord Henry is amazed by the prettiness and innocence of Dorian. Henry is a charming talker, and his views concerning beauty would be just like the perspectives of other members of aristocracy. He cherishes it over all considering it because the most important thing in existence. The talk with Lord Henry makes Dorian to think about the elapsing of their physical beauty. He realizes that a day his charm and youth will disappear and he won't be able to live a careless life . This thought scares him particularly if he sees the finished portrait, painted by Basil. He makes a whish, that will alter his life forever: 'If it were I who was always young and the film that was to grow older! For that I'd give anything! Yes, there's not anything in the world I would not give! I would give my soul for this' (Chapter 2). Dorian i.. .