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Rhetorical Numbers in Leda and the Swan "Leda and the Swan," a sonnet by William Butler Yeats, explains a rape. Regarding to Perrine, "the 1st quatrain talks about the brutal strike and the foreplay; the second quatrain, the work of love-making; the third component of the sestet, the intimate orgasm" (147). The rape that Yeats identifies can be no normal rape: it is certainly a rape by a god. Embodied in the majestic kind of a swan temporarily, Zeus, ruler of the gods, consummated his interest for Leda, a human little princess (Perrine 147). The union created two children: Helen of Troy and Clytemnestra, Agamemnon's wife. In recounting this "momentous rape" with "large implications for the potential," (Perrine 147) Yeats uses rhetorical numbers in each of the sonnet's three stanzas. The statistics in the 1st stanza make stress and represent the event. All explanations for the rhetorical numbers talked about in this article are extracted from Lanham's A Handlist of Rhetorical Conditions. Yeats starts with an example of brachylogia, brevity of dialog. His elliptical fragment, "A unexpected setback," recreates the spectacular impact and tension of the assault. The poet uses alliteration in the kind of consonance: the plosive "b" first found in "blow" subtly batters the ear throughout the quatrain - "beating," "bill," and "breast," which occurs twice; the preliminary "g" discovered in "great" echoes in "girl"; and an preliminary "h" repeats in "her," which happens three moments, "he," "holds," "helpless," and "his". Yeats ends the initial collection with "conquering still," an example of anastrophe, a type or kind of hyperbaton, the uncommon agreement of phrases or clauses within a phrase, for poetic effect frequently. The figure not really just produces pressure through agreement but throug also...