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King Lear as a Bradley Tragedy King Lear meets all of the requirements of a tragedy as defined by Andrew Cecil Bradley. Bradley states that a Shakespearean tragedy has to be the story of the hero and there is exceptional suffering and calamity slowly being exploited in. Also, the current time must be contrasted to happier times. The play also depicts the troubled parts in the hero's own life and eventually he expires immediately because of the distress and calamity. There's the feeling of fear in the play also, that makes men see how blind they aren't knowing when fortune or something else could be on them. The hero has to be of a high status in the chain and the hero should also possess a tragic flaw that initiates the tragedy. The collapse of the hero isn't felt by him alone but creates a chain reaction that affects everything below him. There must also be the element of luck or accident that affects some stage in the drama. King Lear fulfills each of these needs, that have been laid out by Bradley. The principal part of the play would be King Lear who in terms of Bradley are the protagonist and hold the highest position is the social series. Lear, from anger and pride, has banished Cordelia and divide the kingdom in half between the two elderly sisters, Goneril and Regan. This is Lear's tragic flaw that prevents him from seeing the true faces of people because his pride and anger overrides his conclusion. As we see at the very first act, Lear doesn't listen to Kent's plea to watch closer to the true faces of the brothers. Kent has hurt Lear's pride by disobeying his order to keep out of his and Cordelia's way when Lear has already cautioned him, "the bow is bent and drawn, make from the shaft" (act...