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Clowns to the Left of Me, Jokers to the Right: Lear's Fool and Cymbeline's Cloten and Their Social Significance Clowns and Jesters abound across the Shakespearean canon, along with also the Bard's later plays are no exception. In this paper I intend to analyze the later Shakespearean fool, particularly King Lear's Fool and Cymbeline's Cloten and also the way in which they reflect various political and social thoughts. First, I will analyze the historical significance of both Fool and Cloten's channel, their historical relevance, and similarities to some other socio-political archetypes. Next, I will look at how Lear's Fool and Cloten reflect the idea of progress by radical derailment of main characters inspiring monarchical overturn and progress. Third, I'll analyze the symbolism within their deaths and how it reflects the historical trend of this maligned lower class, post apocalyptic. Historically, the transition from the Elizabethan reign to James' was a time of subtle social-realignment. The thought of the monarchy was beginning to show signs of weakness after the James' ascension along with the intellectual, making artists like Shakespeare, were among the very first to placate and simultaneously subvert it. Those of Shakespeare's own socio-economic course were fostering a class-limiting, Puritan structure. It is evident Shakespeare wholly refused this new social ethic. He started to indicate in his composing a morality based from the issue brought to light from the humanist "bourgeoisie" of the Renaissance that was mostly extracted from all but the landed feudal course. This "Renaissance Bourgeoisie" historically did not carry out its promises in the time nor afterwards. Immediately after its first victories, its class limits and contradictions forced it to chan...