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Assessing A Streetcar Named Desire and Cat on a Hot Tin Roof At the sport of life individual is given the options to bluff, raise, or fold. He's dealt a hand generated by the consequences of his decisions or by outside forces beyond his control. It's a never ending cycle: choices made create more choices. Using diverse, complex characters simmering with enthusiasm and often a contradiction in themselves, Tennessee Williams assesses the connection of present and past made by guy choices in "A Streetcar Named Desire" and "Cat on a Hot Tin Roof." Delicate Blanche, virile Stanley. Dynamic Maggie, impotent Brick. Williams' protagonists are clearly different in temperament. Back in "A Streetcar Named Desire" Blanche illustrates the stereotypical old south: educated, elegant, obsolete. Stanley is the new south: crude, primitive, challenging. Blanche, a fading beauty, utilizes her sugary attractiveness and tender southern strategies to draw guys. In contrast, Stanley "sizes girls up at a glance, with sensual places" to "ascertain the way he cried at them" (Williams, Street 29). Course and deliberately aggressive, he's a "survivor of the stone age" (Williams, Street 72). Regardless of their differences they both have a raw sensuality. In their very first confrontation, Blanche's thick display of charm angers and brings Stanley. He desires her to be truthful and "put her cards on the table" but concurrently would "get ideas" around Blanche if she was not Stella's sister (Williams, Street 40-41). Their connection overflows with sexual tension as they struggle for Stella. Stanley, the new south, beats Blanche, the south east. After destroying her opportunity for security, his sexual attack erases her last traces of sanity. Likewise opposites bring in "Cat on...