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The poems To Sleep by John Keats and The Pains of Sleep from Samuel Taylor Coleridge seem to go over the joy and agony in sleeping; however, the poetry shows a deeper meaning than sleeping alone with insight to events in the individual walkers' life. Poetry is exceptional, every reader may have a different interpretation than the former reader, and there isn't any such thing as a right understanding of a poem. The interpretation of the following poetry starts out talking sleep; though, with proof, this reading will prove to reveal a more substantial meaning that heavily relates to the lifetime of the poet in question. John Keats enjoyed toying with many styles of poetry; for instance, into Sleeping he uses the kind of the sonnet (Behrens Len 530). Employing the English sonnet for a template, Keats writes To Sleep (Motion 126). The poem utilizes two lines; every line comprises ten syllables. Contained within the lines resides an unstressed rhyme routine; or, more aptly called, iambic pentameter. Also typical of the English sonnet is that the production of three quatrains (each quatrain includes four lines) ending with a rhyming couplet. Traditionally, the rhyme scheme of an English sonnet is abab, cdcd, efef, gg; conversely, Keats generates a modification of the pattern by utilizing abab, cdcd, bc, fefe instead. In order for the poem to stay in sonnet form, it must include a physical appearance of a sonnet, and explain a conflict in its quatrains; the final lines should resolve the conflict within the end couplet. Every quatrain in Keats poem discusses different ways that the speaker wanted sleep (or passing, which is touched upon later) or manners in which to coax his body to sleep. Keats endings To Sleep in a non-rhyming couplet, this doesn't me...