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Roland Barthes' Camera Lucida Essay

Project id 1012146
Subject area Biology
Document type Essay
Words 3068
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This book is a note written by Roland Barthes to record the dialectical manner he thought regarding the eidos(form, character, type, species) of Photographs. Roland Barthes was a French literary theorist, philosopher, linguist in his life, but surprisingly he wasn't a photographer. As Barthes had an opinion that art functions includes signs and structures, he'd researched semiotics and structuralism. However, through Camera Lucida, he realized the limitation of structuralism and also the belief to analyze Photography with just semiotics and structuralism. Barthes finishes with speaking about unclassifiable aspects of Photography. I could feel the leadership Barthes needed to go through the very first phase 'Specialty of this Photograph'. He strove to define something by phenomenology From the publication, the Barthes creates some terms. Operator, Spectator and Spectrum are the initial one. The Operator signifies that the photographer, the audience that looks in the Photograph becomes the Spectator and also the thing emitted by subject is known as eidolon(image, ghost, ghost), in other word the Spectrum. Barthes talks concerning Operator's capacity to select the image of naturalness in the circumstance. He states that a Photograph is closer to the Spectator than the Operator and the Spectrum is your closest one. The stream of his thought naturally moves from the subject of the film to viewers with excluding the person taking a picture. It was interesting for its artists like me as for artists, the subject matter goes first and then the job is made later. Particularly, for me personally, considering audiences mostly comes in the end or sometime, I even ignore the audience. To get a viewer like Barthes, seeing the work is a totally opposite way to creating the job. Camera Lu...

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