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Since the book of the 'Songs and Sonets' in 1663, the intellectual wittiness of John Donne's romance has generated much speculation concerning the perspectives of this poet himself. Donne took the traditional form and vision of romance in his own day and forced it to "appear reinvigorated and radically changed by his hand, demanding by the reader an unparalleled amount of mental alertness and involvement" As Donne threw himself eagerly to capturing the mood of this second at his own works, so he succeeds in crossing the reader away in the intense emotions of his own poetry. Many critics have believed Donne's 'Songs and Sonets' can be divided into two classes; a previous group of amusing and promiscuous poems, and a later group of more idealistic poems (allegedly written after Donne's union) However, even minding the poems in this manner cannot banish the sense of selection between the approaches to appreciate discovered in the poems. For Donne, it would appear that love is not a singular and different emotion, but (to use his own words) would be "mixt of all stuffes, paining soule or sense" ('Love's Growth') Instead of talk of love as a distinct entity, Donne portrays it as deeply ingrained in the other feelings and actions that he clarifies. Because of this, it is tough to decipher which attitude expressed in their own poetry is really Donne's view on love. From 'The Flea', it would appear that sexual gratification is the only real objective of this poem, whereas in classics like 'The Canonisation' love is raised to a level at which it refuses to abate even to the reduction of their physical body. In the same way, lots of the poems contain a sense of immediacy about love, although others portray love as completely unyielding to the passing of time. '...