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The Go to and The Oresteia: Integrity of Responsibility When Friedrich Durrenmatt composed the play The Go to, he was performing therefore in response to what he noticed as daunting neutrality on the component of the Swiss during Globe Battle II, neutrality that we understand was something even more subtle today. This powerful play expresses what happens in a grouped community where responsibility is abdicated and scapegoating is employed, what happens when whim falls to vengeance in the accurate name of rights. It is a play designed to shock society into recognizing its own flaws and choosing a different course of action, a different way to be. Today I would like to quickly explain how this play and its cable connections help my college students understand both the wider globe (in place and period) and their personal globe, how novels can speak to appropriate sociable ills strongly. Finally, I wish show how this play helps students recognize how communities are constructed and how each individual has a responsibility to serve the communities of which they are a part. In Principia, our first-year preliminary program to the generous disciplines, we attempt to choose text messages that help college students analyze perennial human being problems, text messages that help college students recognize that their present and their potential can be not really shut off from the former. Durrenmatt's play increases three perennial problems that connect us in the past to three particular contexts. The problems are: a human being desire for rights, a individual penchant for scapegoating, and the individual clash between selfish style and public responsibility. The traditional contexts are traditional Portugal, Globe Battle II Switzerland, and the 1950s achievement of capitalism. Durrenmatt shows the individual desire...