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Louisa May Alcott furnishes a look at the protagonist through recognition of the way the imaginary hero of romantic fiction isn't necessarily the perfect while bringing the reader to see that the heroic in the everyday lives of four young women with the primary accent falling on Jo. From the chapter, "Castles in the Air," as all the figures envisions the distant future (ten years hence anyhow), Jo remarks, "I need to do something splendid before I go into my castle - something heroic or wonderful that will not be forgotten after I'm dead. I don't know what, but I am on the lookout for it, and mean to astonish you all some day" (Alcott 133). As the book progresses, many references are made to show the shallowness which has started to be associated with the epic " ... Laurie heroically closed his eyes..." (Alcott 264). "Fred is not my version hero" (Alcott 294). Ultimately, Jo focuses the conflict in recognizing the heroic when she reaches the purpose of realizing that she "preferred imaginary heroes into real ones, since when tired of these, the former could be closed up in the tin kitchen till called for, and the latter had been less manageable" (Alcott 298). With Jo March, Alcott introduces a modern young woman in a day when women were very much relegated to a particular role within the home. From the opening pages of this book, Jo exhibits a unique strength of character which refuses to be molded to the traditional form. She longs to be a boy, chiefly because of the possibilities available to the man in society. However, taking her odd family upbringing and implementing it into Jo's determination to differ generates an individual who's heroic in her courage and strength to stick out in society and her ability to share that quality with othe...