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Identity in Beckett's Rockaby In his play "Rockaby" as well as in many other functions, Samuel Beckett calls to question our identities as human beings and how we interact with the world around us. The construction of the play itself and also the effective minimalist images on phase immediately induce the audience to input Beckett's world. The single character, an older woman identified only as "w/" barely speaks throughout the operation; most of the speaking is just a record of the woman's voice that performs while she rocks back and forth in a rocking chair. The recorded voice, which can be referred to as "v," tells the story of her quest for bonds together with other human beings, her retreat into isolation, along with her death. The voice could represent her consciousness and inner thoughts or maybe her memory. The separation between the girl and her internal voice create the framework for the topics addressed in "Rockaby" -- both self-identity and self-control in communicating with outsiders, consciousness, and death. Throughout the first half of the drama, the voice recounts the woman's search for "another animal like herself." The most important image initially is that her eyes, and can be constantly appearing kindly "to and fro" on "all sides" for somebody like herself, for the other living individual to be with. The girl feels the uncontrollable urge to connect with other human beings in the mental and psychological sense, but the only means to interact with other people is by way of physical actions, mostly through spoken speech. Nonetheless, language is simply an imperfect approximation of emotion and thought, which is an issue that Beckett finds especially troubling. Following the 2nd lengthy pause (the initial happening in the very beginning), "v" begins speaking.