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An investigation of Jean Toomer's Cane From the prose fiction Cane: Jean Toomer uses the history of the Black American in the South to assist in establishing the role of the modernist black author. While stylistic characteristics such as ambiguity of words and the irony of those conflicting sentences clearly mask this novel as a modernist work. Toomer attracts his adventures and his perspective of the life of Blacks from Georgia to make a setting effective at demonstrating the difficulties facing the twentieth-century Dark author. This demonstration is both vibrant and straightforward and while acknowledges the fall of jealousy, it also examines the after-effects that remain in American life. The effects of racism in U.S. history have left the job of defining Black culture particularly difficult, Toomer nevertheless, remains on of the first black writers who addresses the problem of a post captivity society. The text itself presents numerous references regarding Toomer's beliefs that yesteryear inspires the contemporary writer. On the other hand, the focus stays on the current scenario of Blacks in America rather than their own history. One of the most fascinating facets in his job will be to be his use of prose, arrangement, and personality to draw upon his Dark heritage to demonstrate how history does affect the contemporary Black. By incorporating history into these portions of the book, Toomer supplies a definite part for Blacks from the twentieth century. Through the publication particular textual references, illustrate Toomer's reliance upon Black heritage in providing the inspiration essential in identifying Black civilization. Critic Robert Bone writes: He also attained a worldwide vision by dismissing race because a local tr...