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Good and evil are concocted otherwise in each creativity. To some, evil is the most dreadful sins, such as such heinous acts like rape, murder, distortion, or betrayal. To the others, wicked might be something so simple as indecisiveness, extravagance, or vain glory. Goodness is ambiguous to humanity as well since one man might define goodness as the normal man living a free life, yet another might complete that true goodness is accessible only through an ideal, honorable way of life, completely abstaining from worldly jobs. One's mindset at good and evil will predetermine their values, actions, and points of interest. Whether life is spent chasing celestial targets or the applying oneself to his or her life, their experience deeply affects literary functions. A great illustration of these two opposing thought processes could be viewed by looking at Dante's Divine Comedy, and Chaucer's Canterbury Tales: The Wife of Bath. Though Dante and Chaucer never met, Dante died nineteen years until Chaucer was born, Dante unintentionally became Chaucer's lifetime mentor. Dante's intense spirit turned out to be far more harsh than Chaucer's mild character, however Dante's protégé, Boccaccio, became among Chaucer's best inspirations. While beneath Boccaccio's wing Chaucer learned an admiration for Dante that he took him through out his composing career. Looking back at both Dante and Chaucer's works, pros now see striking similarities in their own writing. Whether Chaucer actually supposed to use Dante's materials or not, he's now closely compared with his contrary counterpart. While you can see how closely connected Chaucer's writing was to Dante's, a closer look shows just how otherwise their composing mindset was. They have comparable...