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The decoration placed on the ceilings and walls of the imperial tombs provided far more than the usual colourful patina, for the artists had been in effect making an eternal globe for the deceased king. The exigencies of both tombs curtailed and raced burials could have thwarted this goal on several occasions, but that which the artists did reach stands nonetheless among the best art of the ancient universe. The procedure by which these decorations were achieved is quite well understood. Sometimes, though not all, draughtsmen laid out that the representations using grids produced by measuring rods and paint-covered strings snapped against the walls. The pictures and inscriptions were then applied in reddish paint lines which were corrected as needed in black. The care involved in this point is seen because sometimes errors in the texts where the inscriptions were copied were noted along with the term jewel wesh, вЂdiscovered defectiveвЂ™ was composed on the tomb wall. By the time of Horemheb on, carvers cut back the surrounding areas from round the representations until they had been painted, or incised the individual hieroglyphs and amounts based on whether raised or sunk relief was chosen. The prior, more costly, strategy was used throughout several of the 19th-dynasty tombs, but generally only from the entrances of afterwards monuments. In the next phase, painters carefully stuffed from the reliefs along with their wallpapers, using their pigments by reflected sunlight near the entrances, and by the light of oil lamps deep inside the tombs. No more than six colours were commonly utilized in the Valley of the Kings вЂ" black, white, red, blue, yellow, white and green вЂ" but these were sometimes blended to make gradations and variations of colour and tone. In the first burials it looks like the decoration was implemented only when the excavation was completed and until the true internment. In later burials, due to the larger size and broader decoration, construction and painting of the tomb appear to have gone side by side. Here, stonecutters and painters likely took turns working in order to prevent jams in the confined spaces and harm to the freshly painted surfaces from airborne dust. Towards the conclusion of the valleyвЂ™s heritage, declining resources might occasionally have caused things to be done differently: the decoration of the tomb of Ramesses IX was apparently started during the kingвЂ™s predominate, however merely co.. .