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Differing slightly from the conventional Greek example of a "wedding lyric," (Britannica) Edmund Spenser's Epithalamion is Spenser's way of sharing his anxieties and apprehensions, but also his hope and optimism in relation to his new marriage to Elizabeth Boyle in 1594. The whole poem is composed from the bridegroom's point of view from the moment he awakens on the wedding , at the night, after the couple has consummated their nuptials. The poem's structure and shape are all extremely complicated and frequently highly debated, but there are apparent patterns and insight into the poem's shape in connection to time. The most important interpretation of Spenser's structure is that the amount of stanzas in direct correlation to the number of hours one day. Thematically, the continuous change of tone from the poem throughout the 16th stanza - when the wedding turns into the wedding evening -- suggests that, despite Spenser's immense delight in his new union, he has profound fears regarding time, and the potentially damning effects time might have on his married bliss. The material of this specific stanza demonstrates his frustration with the regularity of period -- he spends much of the stanza impatiently waiting for the night, and fears nature could possibly be contrary to his new marriage - but there's a more subconscious response in his rhythmic arrangement. Through the varying line durations -- that the rhythm ranging from trimetre into hexameter -- it appears that only in minutes of optimistic action from nature -- such as the sun setting and the moon rising -- will not the slow, regularity of period not look so debilitating, and in moments of fear or fear, the time appears to go slower. Spenser appears to truly fear the threat of time destroying his joy, and his poem appears to be the only way...