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Elliot Richards' Bedazzled Literature that was released in the 1800s in Germany continues to be utilized as a basis, or could be, for modern movies. I came across this to be accurate when you compare Faust to the film “Bedazzled.” Faust is an enchanting tale that encompasses the Passionate motion to the fullest. “Bedazzled,” while encompassing several characteristics, has features of the enlightenment, modernism, and postmodernism. Society’s personality during production of every storyline plays an enormous role in the way the story plays out. We are able to observe this in how each desire is certainly portrayed, how great and evil are portrayed, and how each hero gets themselves to their situation. Romanticism was a movement to see desire and interest to the fullest. Goethe portrays Faust doing this via an evil pact with the devil. Many evils happen due to his experiences, yet he's preserved. This says that to end up being human, one is to see their humanness to the fullest. In “Bedazzled,” Eliot Richards also makes a pact with the devil to see his greatest desires, love mainly. Upon this basic level both of these correlate perfectly. Goethe is breaking from the time of enlightenment, an interval of cause that thinks these encounters could be great in moderation. In “Bedazzled,” it really is seen through the film how Eliot learns that a lot of things are great in moderation. This film encompasses several literary actions in its portrayal of Eliot’s experience. Before delving in to the correlating encounters of Faust and “Bedazzled,” here’s a history on both. Faust can be a good doctor and scholar. He makes a pact to provide his soul to the devil if the devil can please him. Faust agrees to...