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Social Context in the Poetry of John Donne Contemporary literary concept has thoroughly debunked the standard view of the artist as a divinely motivated, entirely original and creative individual. This view has been replaced with the more apt view of this author as a product of his or her surroundings and the present discourses of the society in which he or she resides. In this new attitude toward the writer as a product of culture, the author is considered, according to Dr. James E. Porter, as a member of a quiltmaker who takes different traces of their current cultural intertext (that gathered writing and debate of a society) and joins them in new ways to make fresh discourse (34). Differences in such new discourses of different authors are the result of current debates concerning the dominant ideology of a particular society. While this theory of writing may be current, it applies to the literature and the authors of all historical periods, such as the Seventeenth century. By studying two poems by John Donne, namely "The Canonization" and "The Flea," we can see how present societal debates and beliefs create literature. At the right time of this writing of "The Canonization" and "The Flea," across the turn of the seventeenth century, among the biggest disagreements in British society concerned who was accountable for the selection of a partner and what the standards should be the basis for union. Until the beginning of the seventeenth century, it was traditional for the parents in the upper classes to be the only source of marital decisions with their child having no say in the choice procedure and little if any say in the acceptance of a planned match (Stone 70). These arranged unions tended to be established solely on the accu...