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Men and women are constantly accused of becoming the vehicles along with also the victims of seduction. In Alfred Tennyson's "Lotos Eaters" and "The Lady of Shalott" embody this assumption. Together, the figures are simultaneously the victims of seduction from an external force: retreat. The theme of sex employs escape as a tool to create an equilibrium and expose contrast between the sexes. Especially, the two sets of figures leave their ordinary lives behind, recoil into another retreat, depict suicidal tendencies, and permanently give up the hassles of the previous life. Through retreat, the poems' representation of sex challenges the conventional stereotypes of women and men. Even the "Lady of Shalott" utilizes the theme of escape and enables her to escape in the traditions of Camelot. She flows from the external world into the storyline of her poem. She continuously retreats to herself while exposing an amazing manly identity. The lady takes her life in her hands by retreating from Camelot into the tower, further to her danced, escapes in the curse with dread, and ultimately retreats out of her own life by death. This assertive behavior is not typical of those glittering and heterosexual girls in Camelot. She clarifies Camelot and traditional roles when she says, "that a troop of damsels glad, /and occasionally through the mirror blue, /the knight comes riding two by two:/She hath no loyal knight and true" (lines 55, 60-62). Girls are bright and associated with vision of the sun, however she is in the black and alone. The men even travel two by two and courtroom the women. She has no knight, she's lonely; she does not signify either sex in the ideal way in this instance. The lady has left herself an enigma in the area by limiting her femin...