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Carol Ann Duffy's "Small Red-Cap" and "Delilah" "Throughout the 1980s, a unique kind and style of women-led peace demonstration strategies surfaced that depended on the strong speech, and particularly the potent imagery of girls as a group participated in an elongated protest against nuclear weapons" (LaWare 18). Carol Ann Duffy's publication, The World's Wife, was initially released in Great Britain in 1999, and two of its dramatic monologues likewise rely on the effective language and vision of women engaged in a protest against clinically patriarchal narratives and male violence. "While some peace encampments [in the 1980s] comprised men and women, many were women just, including one of the very first and longest lasting peace encampments, the Women's Peace Camp at Greenham Common in Newbury, England, which evolved into and ignited a women's peace movement" (LaWare 18). "[T]housands of women from Britain and the world later lived and visited at the camp throughout its almost twenty years of existence, until the previous group of women left 2000[,]" and while it's not clear whether Duffy visited the camp, the camp's strategies of resistance are embedded in two of her writings (LaWare 19). The speakers of "Little Red-Cap" and "Delilah" use the camp's strategies of physically adopting a sign of male violence, then defacing the emblem through an act of creative nonviolence, and finally transforming the emblem's patriarchal sphere to a space filled with peace and female imagery. First, the speakers of Duffy's two poems resemble the protestors at Greenham Common who embraced a sign of male violence: T]he Greenham Common Women's Peace Camp gained both national and international attention in D.. .