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The three designated content articles all dealt with hip jump as a lifestyle in the period of the 70s. It was the period of emceeing, graffiti, break-dancing, and deejaying. It was also a time when hip hop culture was mainly thought of as African American. The first article examines how graffiti was seen in the 1970s. Graffiti was noticed as a common point on the roads of New York. This can be pictured in “The National politics of Graffiti” by Craig Castleman where he points out the schedule of the guidelines and rules Mayor Bob Sixth is v. Lindsay attempts to suggest to eliminate graffiti from New York’s roads to no get. There had been many disagreeing views between those in the arranged community. Officials said that graffiti damages the assembled community and requires hundreds of dollars to remove. Council city president Sanford Garelik said “graffiti pollutes the eye and mind and may be one of the worst kinds of pollution we have to combat” (Castleman 22). Graffiti performers like Taki thought they had been not really carrying out anything incorrect so they had been not really heading to end. Taki discussions about the circumstance by stating, “I actually could by no means stop working besides it does not damage anybody. I function. I spend fees as well. Why perform they move after the little man?” (Castleman 21). Some associates of the community proceed against the mayor and think that he offers eliminated as well significantly with his combat against graffiti. New York Journal released a lengthy content by Richard Goldstein where he declares that “it all simply may become the children who create graffiti are the healthiest and most aggressive people in their areas” (Castleman 25). Since the 1970s, things have changed to the true point where graffiti is not such a huge problem, but in my stage of look at graffiti was not really that big of a issue after that actually. With the genuine method that the officials had been speaking about it.