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The Horror of Dystopia Revealed by Neuromancer When William Gibson's futuristic novel Neuromancer was initially published, it appeared farfetched that technology could reach the amount of sophistication he described. Science fiction movies have since expanded and repeated upon this theme, portraying corporate anxieties and paranoid fears of individuals to be managed by aliens, man-made machines and artificial intelligence. Neuromancer requires us in to the subculture of cyberpunk, a dystopia of an amoral culture ruled by abstract powers. Gibson creates an environment of dread and terror where technology permeates this futuristic globe into its smallest details and rather than serving humanity, rises to be its God and ruler. The futuristic historical context, into which Neuromancer is embedded, suggests syntactically a World War III between the existence and the time of the novel.The reader is introduced to the brand new world power Japan through the entire novel, while a remnant of european/western power and culture resides in the area colony Freeside along with in the scattered bits of artwork at work of a criminal Chiba boss, Julius Deane. The novel performs on the audience's concern with an asian take-over of the globe and the destruction of European countries. The American reader, rooted in western cultural ideals, will sympathize with the expatriates in the Chatsubo bar in Chiba therefore, attracked and repelled simultaneously by this frightening environment. The novel takes the reader into "Night City" (pg. 4), the decayed inner component of Chiba, which lives during the night and can be "shuttered and featureless" (pg. 6) throughout the day," waiting, beneath the poisoned silver sky" (pg. 7). Techno images are utilized by the author to describe the natural environment, "the sky...