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"Streets" William Blake's "London" and Octavio Paz's "The Road" both make use of roads as signs. Blake analyzes the qualities of the various interpersonal groupings on an everyday encounter while away on the roads, whereas Paz's composition includes the emotions of a guy on a particular trip down a road. This is usually simply one of many commonalities in the two poetry. Both poems exude an intimate feeling of discontent, yet both are for very different reasons. Blake's composition offers with the exterior turmoil of a politically volatile Manchester, while Paz's composition offers even more with the inner discord the narrator encounters because of this of low personal value. One might not capture some of the apparent commonalities and distinctions in these two poetry if not really searching with a essential attention. There are many elements of a composition to appear at when attempting to evaluate and compare, such as build, symbolism, persona and structure, but those are simply a few things. The tone of a poem creates the mood of the reader. Without a set and fairly apparent tone, the composition would not really possess simply because very much impact on its audience. In William Blake's "London," the overall tone is usually relatively somber. He produces a feeling of shame for the public people of Manchester. All social stratifications would appear to be unhappy with their status judging from such lines as "And mark in every face I meet/Marks of weakness, marks of woe" (Blake 497). From chimney sweeper to new-born kid, all arrive across as unattainable. In "London," Blake produces an picture of bloodstream working down structure wall space, which is pretty obviously a sign of political insecurity during this time period. Opposition of citizens and government created an outcry of writers at this right time in England, which would describe the somber, non-supportive tone of Blake's poem. Capital t...